Lily Davis


- Short series 'It's Fine, I'm Fine' official competition at CannesSeries (2022). Australian premiere at Melbourne International Film Festival. Nominated for Best Digital Series at the AACTA Awards (2022).                            - 'Short series 'A Beginner's Guide To Grief' nominated for Best Digital Series at the AACTA Awards (2022)               - ANZ 'We Do How' ASE Winner Corporate and Branded (2021) and nominated Best Editing at the Axis Awards (2021)
- 'Wash My Soul In The River's Flow' official selection at Sydney Film Festival and Melbourne International Film Festival (2021)
- 'Run' Nominated for an ASE Ellie Award for Best Editing in Feature Documentary (2020)


Lily found her homse in the edit suite after a long-standing love affair with cinema. Her number one passion is storytelling, which guides her through both commercial and long-form work. Lily has an eye for emotion and a distinctive sensitivity to her editing style. 

Lily won best editing in Corporate and Branded at the Australian Screen Editors Awards (2021) for her work on the ANZ campaign ‘We Do How’. Her narrative and documentary work has screened at CannesSeries, Sydney Film Festival and Melbourne International Film Festival amongst others. Lily’s love of craft has led her to become a member of the Australian Screen Editors Executive committee. 

On the rare occasion she tears herself away from the edit, she enjoys watching Buffy The Vampire Slayer re-runs.


Sanjay de Silva | Division | Special Group

Budget Direct
Daniel Kleinman | GoodOil | 303 Mullenlowe

Justin Kurzel | Revolver | Ogilvy Sydney

Dani Pearce | Revolver | Emotive

Jason Bock | Division | VMLY&R

RM Williams
Justin Kurzel | Revolver | Special Group

Adam Stevens | GoodOil | TBWA Auckland

James Chappell | Sibling | Photoplay

It's Fine, I'm Fine
Stef Smith | Photoplay

Wash My Soul in the River's Flow
Philippa Bateman | Enigma Machine

A Beginner's Guide to Grief
Renee Mao | Good Oil

Richard Bullock | Hungry Man